WARNING: The following post may cause boredom, drowsiness, lost of interest in my blog and other side effects if you're not a fan of Panic's music. However if you are, lo and behold.
Vices & VirtuesSo a few days ago someone uploaded on Youtube all 10 songs from Panic! At The Disco's latest album, Vices & Virtues. Needless to say I was extremely excited. Within minutes I got them downloaded and synced into my ipod. Later that night I listened to each of them carefully to enjoy the new material they came up with after the split.
Because I'm such a nice person I uploaded all of them for you. If you're a girl, you'll probably like Always. And if you're into mainstream music, you'll like The Ballad Of Mona Lisa, Hurricane, Memories and Ready To Go. Finally if you have the same taste as I do, you'll find Sarah Smiles and Nearly Witches very interesting and clever songs.
Here's what I think. (The tracks are in the order as they are in the actual album. Give them time to stream)
The Ballad of Mona LisaThis track was released a few months ago followed by its music video. Hm I would say this is a very strong opening for the album and definitely established the sound of this album. The use of synthesiser resembles their first album, A Fever You Can't Sweat Out. (Pretty. Odd. does not use the synthesiser at all). Took a while for it to grow on me.
Let's Kill TonightVery heavy use of the synthesiser. Catchy verse. A tinge of halloweenish feel. Overall not bad. Still not loving it. I wonder if the title has anything to do with
The Young Veins' Die Tonight.
HurricaneThe drum intro has the feel of
But It's Better If You Do. Verse is slightly messy. I like the chorus. The 'You'll dance to anything' line is a brilliant idea. The kind where the audience will chant along like in Hey Jude the nanana part.
MemoriesTitle too cliche. Fine song. But the whole thing sounds a bit too mainstream, especially the oh-oh-oh part. For that fact I don't really like this.
Trade MistakesViolin intro is perfect. A break from the sound (or sometime noise) of the synthesiser. Verse instantly reminded me of
Viva La Vida. The chorus. Oh god I think it's quite bad. A very awkward and out-of-idea song in my opinion. Worst song of the album.
Ready To Go (Get Me Out Of My Mind)Very similar feel to
Memories. The whole song is just too cliche and mainstream. Not my cup of tea. I got quite disappointed at this point.
AlwaysThe odd one out. An accoustic song. I knew they'll have something like this. And it's exactly what this album needs. To break the momentum of the whole theme. To tell the audience 'We're more than a rock band! ' And I appreciate this song very much. Great showcase of Brendon's superb vocals. Short and sweet.
The CalendarA very weird intro. The verse is okay. Builds up to the chorus. Which is umm.. is fine I guess. Not in love with it. This is the kind of song where you don't really like but you don't hate it of course. Just another song. And I kinda got tired of the loud chorus.
Sarah SmilesA song dedicated to Brendon's girlfriend. I think her name is Sarah. Interesting accordion intro. A very different approach compared to the rest of the album. I love the verse and the build up towards the chorus. Slightly
The Hush Sound and Pretty. Odd-ish. The chorus is good as well. Bridge is just okay. Overall my favourite song of the album. Love is powerful tool when it comes to composing beautiful music.
Nearly Witches (Demo)This demo was released a few years ago. I loved it. Very burlesque-ish. It's only the verse but I think it's amazing. With the strings and stuff. Ryan wrote the lyrics. Very brilliant stuff. I had high expectations for this.
Nearly Witches (Ever Since We Met...)
Final song of the album. Full version of the demo. The french choir intro was wonderful. The verse I had to say I like the demo better. And the lyrics were changed. I personally think Ryan's sounded way better. The chorus slowed down and that didn't quite hit the spot. I was so looking foward to a fast paced chorus. The ending was a great way to wrap up the album. Choir singing 'Mona Lisa pleased to please ya'. Lyrics from the first song of course. Kinda reminds me of
All You Need Is You by
The Beatles where there were two lines of 'She loves you ya ya ya' towards he end. The perfect last song.
So that's all 10 songs. I did not include the bonus tracks though. Haven't got hold of all of them. Still, overall I wasn't too happy with the album. Mainly because most of the songs sound alike. Some were exceptionally well done while a few to me were disasters. That's what happens when Ryan's not in the game.
And they've definitely gone slightly towards the mainstream. Which can be a dangerous thing to do. Mainstream music has the widest fanbase. Some artists can't afford to lose that so they write songs in favour of their fans and audiences. That is being untrue to their music on some levels. Though I'm not worried about that. Panic still sound very different from all the bands that I know of.
The most disappointing part of the album is the song structures. Almost all of them went verse > chorus > 2nd verse > chorus > bridge > chorus. Come on, where's the unorthodox and somewhat free style like in
Build God Then We'll Talk and
The Piano Knows Something I Don't Know. And I'm kinda sick of the loud and mildly shouting chorus. Most of the chorus sounded alike. I miss the odd titles!
And it's not entirely true to say that they went back to their old style in
Fever. Other than the slight overuse of the synthesiser, you can definitely hear some
Pretty. Odd. in it too. So honestly it's actually a new style rather than old. Something closer to
Fever, but again is vastly different in many ways. They pretty much adopted this direction of music since
New Perspetive.
I give it an overall rating of 6.8 over 10.
I miss Ryan. Panic would be doing so much better with him in the band. But oh well, creative difference. Music is what they live for. And they did what's best for them. Though not necessarily the greatest thing for us, but still I appreciate their music.
* You totally deserve an award if you read the whole thing*